My art practice is intuitive, based on process and the exploration of materials and form. Rather than starting with an idea or context, I think through materials, gradually finding form through process and matter. My work centers on a visual language of line, volume, and shadow, and the creation of unexpected juxtapositions and conversations between objects in space. The display and reframing of things into arrangements, visual systems and topographies is fundamental to my practice. I am seduced by the raw, malleability of clay and its transformation from wet lump to fragile object through the heat of the kiln. My inspiration is the power of every-day urban and natural objects – their history, form, texture and thingness. With these materials, I seek to create new objects and momets for the viewer to discover.